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Self-Portrait at 13 Måleriet identifieringen:: 63644
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Self-Portrait at 13 1484 Silverpoint on paper, 275 x 196 mm Graphische Sammlung Albertina, Vienna At the age of 13, D?rer created the earliest self-portrait of an artist at so young an age. Using silverpoint, the features of D?rer with which we are familiar from later self-portraits, though still rather childlike here, are depicted with gentle strokes. Like one of Martin Schongauer's Late Gothic angels in depictions of the Annunciation, the boy is also pointing to the right. His left hand is concealed beneath his sleeve, thus suggesting that this self-portrait was painted in front of a mirror.Artist:D?RER, Albrecht Title: Self-Portrait at 13 Painted in 1501-1550 , German - - graphics : portrait 1484_Silverpoint_on_paper,_275_x_196_mm_Graphische_Sammlung_Albertina,_Vienna_At_the_age_of_13,_D?rer_created_the_earliest_self-portrait_of_an_artist_at_so_young_an_age._Using_silverpoint,_the_features_of_D?rer_with_which_we_are_familiar_from_later_self-portraits,_though_still_rather_childlike_here,_are_depicted_with_gentle_strokes._Like_one_of_Martin_Schongauer's_Late_Gothic_angels_in_depictions_of_the_Annunciation,_the_boy_is_also_pointing_to_the_right._His_left_hand_is_concealed_beneath_his_sleeve,_thus_suggesting_that_this_self-portrait_was_painted_in_front_of_a_mirror.Artist:D?RER,_Albrecht_Title:_Self-Portrait_at_13___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait
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Study of an Architect Måleriet identifieringen:: 63645
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Study of an Architect 1506 Brush and ink heightened with white on paper, 386 x 262 mm Staatliche Museen, Berlin D?rer worked very hard on the Altarpiece of the Rose Garlands, and no less than 22 of his studies for the work have survived. These include a sketch of an architect holding a set square, probably Hieronymous of Augsburg. He is dressed in black at the far right of the painting, near the front. Hieronymous was then working on the reconstruction of the Fondaco dei Tedeschi, the Germans' trading house in Venice which had been destroyed by fire in 1505.Artist:D?RER, Albrecht Title: Study of an Architect Painted in 1501-1550 , German - - graphics : study 1506_Brush_and_ink_heightened_with_white_on_paper,_386_x_262_mm_Staatliche_Museen,_Berlin_D?rer_worked_very_hard_on_the_Altarpiece_of_the_Rose_Garlands,_and_no_less_than_22_of_his_studies_for_the_work_have_survived._These_include_a_sketch_of_an_architect_holding_a_set_square,_probably_Hieronymous_of_Augsburg._He_is_dressed_in_black_at_the_far_right_of_the_painting,_near_the_front._Hieronymous_was_then_working_on_the_reconstruction_of_the_Fondaco_dei_Tedeschi,_the_Germans'_trading_house_in_Venice_which_had_been_destroyed_by_fire_in_1505.Artist:D?RER,_Albrecht_Title:_Study_of_an_Architect___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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Male Nude with a Glass and Snake Måleriet identifieringen:: 63646
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Male Nude with a Glass and Snake so-called Asclepius c. 1500 Pen drawing, green ink, 325 x 205 mm Staatliche Museen, Berlin This pen drawing of the so-called Asclepius, the classical god of medicine, is one of D?rer's earliest studies of proportion. The design sketch proves that the figure was originally laid out as a study of proportion. The muscular detail of the body is similar to that of Adam in the copper engraving dating from 1504.Artist:D?RER, Albrecht Title: Male Nude with a Glass and Snake, so-called Asclepius Painted in 1501-1550 , German - - graphics : study so-called_Asclepius_c._1500_Pen_drawing,_green_ink,_325_x_205_mm_Staatliche_Museen,_Berlin_This_pen_drawing_of_the_so-called_Asclepius,_the_classical_god_of_medicine,_is_one_of_D?rer's_earliest_studies_of_proportion._The_design_sketch_proves_that_the_figure_was_originally_laid_out_as_a_study_of_proportion._The_muscular_detail_of_the_body_is_similar_to_that_of_Adam_in_the_copper_engraving_dating_from_1504.Artist:D?RER,_Albrecht_Title:_Male_Nude_with_a_Glass_and_Snake,_so-called_Asclepius___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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Self-Portrait with a Bandage Måleriet identifieringen:: 63647
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Self-Portrait with a Bandage 1491-92 Pen drawing on paper, back side, 204 x 208 mm Graphische Sammlung der Universit?tsbibliothek, Erlangen D?rer's self portrait with a bandage presumably dates from the first period of his journeys; it was sketched with rapid strokes, and D?rer's face with his inquiring gaze stands out. The hand gesture is reminiscent of the tradition of depictions of Christ suffering, of melancholy and sleep. An interpretation of melancholy fits in most readily with a self portrait in this manner.Artist:D?RER, Albrecht Title: Self-Portrait with a Bandage Painted in 1501-1550 , German - - graphics : portrait 1491-92_Pen_drawing_on_paper,_back_side,_204_x_208_mm_Graphische_Sammlung_der_Universit?tsbibliothek,_Erlangen_D?rer's_self_portrait_with_a_bandage_presumably_dates_from_the_first_period_of_his_journeys;_it_was_sketched_with_rapid_strokes,_and_D?rer's_face_with_his_inquiring_gaze_stands_out._The_hand_gesture_is_reminiscent_of_the_tradition_of_depictions_of_Christ_suffering,_of_melancholy_and_sleep._An_interpretation_of_melancholy_fits_in_most_readily_with_a_self_portrait_in_this_manner.Artist:D?RER,_Albrecht_Title:_Self-Portrait_with_a_Bandage___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait
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The Virgin Nursing the Child Måleriet identifieringen:: 63648
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The Virgin Nursing the Child 1512 Charcoal, 418 x 288 mm Graphische Sammlung Albertina, Vienna (The sheet is drastically cut at the right and the bottom.) This can scarcely be considered as a preliminary study for a painting; on the contrary, it is an independent drawing par excellence, with a great deal of curly and distinct linear movement. It is clear from this how incompletely the tortured motif of the 1512 painting of the Virgin (Vienna) reveals the artist's general frame of mind in this period.Artist:D?RER, Albrecht Title: The Virgin Nursing the Child Painted in 1501-1550 , German - - graphics : study 1512_Charcoal,_418_x_288_mm_Graphische_Sammlung_Albertina,_Vienna_(The_sheet_is_drastically_cut_at_the_right_and_the_bottom.)_This_can_scarcely_be_considered_as_a_preliminary_study_for_a_painting;_on_the_contrary,_it_is_an_independent_drawing_par_excellence,_with_a_great_deal_of_curly_and_distinct_linear_movement._It_is_clear_from_this_how_incompletely_the_tortured_motif_of_the_1512_painting_of_the_Virgin_(Vienna)_reveals_the_artist's_general_frame_of_mind_in_this_period.Artist:D?RER,_Albrecht_Title:_The_Virgin_Nursing_the_Child___Painted_in__1501-1550___,__German__-_-_graphics__:_study
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| Föregående Konstnär Nästa Konstnär
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Albrecht Durer
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b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg |
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